David Foster Wallace’s “Forever Overhead” is a very
intriguing piece of literature that describes the events of a young boys
thirteenth birthday. His extreme descriptions make you feel like you are
experience this day in his shoes. It is almost like you get to escape your
reality, and become the boy in the story. You get to experience from his
perspective, as he discovers new things about himself. One of the things I
found interesting about his piece was the wording of the text and his use of
periods to allow the reader to make frequent pauses. He would explain the boy’s
thoughts, followed by a sentence that didn’t really make sense until you
thought about its deeper meaning. For example, as the character is thinking
about killing time he throws in the sentence, “Bees have to move very fast to
stay still.” I think these sentences make the readers think about things from a
new perspective and it also makes it very memorable and enjoyable.
Throughout Wallace’s work, you can see many explications of
techniques we have discussed and that have been mentioned in Carr and Barthleme’s
“Not Knowing.” Imagery is obviously a huge element used in “Forever Overhead.”
Everything from the boy’s emotions, thoughts, and perspectives can be
experienced while reading this story. Barthleme explains how the “not knowing”
is crucial to art, and it is what permits art to be made. He describes problems
as a type of comfort. Furthermore, he says that people can even suffer from
having a “loss of problems” in which everything becomes so simple that it makes
their writing immeasurable shallow and trivial. Wallace uses this technique
because it is clear that his writing is pretty complex. The meaning behind the
story is not always clear-cut, but instead it composed of very jumbled and
messy thoughts of a teenaged boy. According to Barthleme, if you render “messy”
enough to the point that you are enabled to feel it, he would have to be more
graphic than the decorum that the occasion allows. I think this is exactly what Wallace was
trying to do by making the readers able to feel the “messiness” along with the
character. Barthleme also says that art
is a true account of the activity of the mind. In “Forever Overhead,” the
entire story is the activity of a mind, which shows Wallace uses this technique
as well.
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